In our particular cultural moment, overestimating one’s ability to take on complex tasks seems less like hubris and more like the norm.
From death-defying circus stunts in Fed Square to a cabaret about sperm donation, here are our latest reviews of the Fringe.
From silent click-tracks to mandatory cage dancers, Hollywood can’t film a believable night out – but the real-life dancefloor is worth saving.
Two hours trapped in a theme park queue taught me the fine art of doing absolutely nothing.
Even the dreams of top directors get left on the cutting room floor. In some cases it’s a blessing.
Dream sequences are a lazy storytelling device. The only place they belong is the cutting room floor.
Ian Shaw’s family connections to the Spielberg classic offered juicy insights for his play, The Shark is Broken.
The ballet dancing assassin has become a common Hollywood trope - why can’t we have some men in tights toting guns in their leotards?
Kat Stewart stars in a new Australian play that might just be our answer to Death of a Salesman.
As the head of a wildly successful visual effects studio, Lara Hopkins knows how to keep a secret.
